A woman walks into the woods, gives birth to a couple of children and subsequently kills them. They appear as ghosts and condemn her to hell. This isn’t a black metal epic or Clive Barker movie, but “The Greenwood Sidey,” a nearly four-hundred-year-old song passed down through generations from the highlands of Scotland to the dark hollows of Appalachia. In this case, it’s illustrated with a hand-woven scroll moved slowly through a specially built cabinet, known as a “crankie,” that displays scenes from the song to its audience. This is the work of Anna Roberts-Gevalt and Elizabeth LaPrelle, a pair of 27-year-old women who perform these old songs and who released their self-titled second album on Tuesday.
Both sing and play an array of traditional instruments, but in recording and performance, LaPrelle, who grew up in Rural Retreat, Virginia, takes the lead in belting out the old songs, while Roberts-Gevalt, who grew up in Vermont and makes her home in Baltimore, shoulders the load when it comes to playing fiddle and other stringed instruments. The duo plays a variety of rollicking instrumentals and traditional tunes, but in live performances, it’s the storytelling ballads that are the show-stoppers, especially if it’s one of the eight songs with an accompanying crankie to illustrate the tale. The two also host the monthly Floyd Radio Show, now in its fourth season, which has featured the Black Twig Pickers and members of Old Crow Medicine Show among its guests, and they regularly schedule time to speak to elementary students between tour stops.
I interviewed Anna and Elizabeth for Noisey about the story behind “The Greenwood Sidey,” how crankies engage their audience, and exactly why these old, twisted songs have endured for so long.